Inspiration
Tuesday, March 28th, 2006Liz,
Where do people get ideas for stuff to say? All my ideas are elaborate plans for revenge. As I read and observe I find so many people with so much to say, none of which is actually worth saying but some of which momentarily masquerades as being worth hearing. If I could steal that ability, I could create just enough confusion to make all my dreams come true. I guess what I really want to know is what part of the human brain is responsible for this ability, and if I eat it, will I own it?
Tim San "Dimas" Diego, CA
Tim,
The creative part of the brain is the anterior superior temporal gyrus, and you don’t have to eat it! You can just figure out where it is (it’s in your right temporal lobe) and light it up on your home fMRI machine.
Tim, Liz thinks you’ve got it exactly right. There’s stuff aplenty which momentarily masquerades as being worth hearing. It’s a brief candle of a flickering window in which people are willing to indulge you. All you need to do is find that hole and fill it. This usually involves the pretense of giving what was asked for, or else something that could be used later.
Facts work well. Facts are worth saying; they seem like something that can be pinned down. Little known fact: the butterfly collection is live. When the glass is found cracked and the case empty, burglary is most often assumed. Fact: facts are not dead butterflies.
Another thing worth saying is a bit of visceral currency or text pill that creates a reaction in the reader. Examples of this include the joke "The Aristocrats", a certain witch’s poem that makes pregnant women go into labor, the fabled ruddy-toned ringtone that gets off slags, the drunken mumbling that women mistake for love, the books and surname of John Updike, the word "you", Python’s "the funniest joke in the world". People really take to this stuff: smut, emitting children, sex, love, sex and smut, egotism, literally being killed by laughing. It is enjoyable.
So if you know what’s worth hearing, even briefly, then you know what’s worth saying. The problem lies in the horrific return of said (or in saying) words after their use lives out, as in writing or in the memory. To navigate this tire trial, there are two tunes to which you can high step.
1. Change yourself: Say something so inane it is timeless & universal. These things are even less helpful than facts, but, in actual use, make like little bits of visceral currency pacifying adult children. Most pervasive quotations are of this idea-for-stuff-to-say trope.
2. Change what you want: Say something you’ll regret. Someone said, "All is forgiven in the end if your heart was in the right place, if you lived an honest life, if you tried." When it keeps coming up in your throat and it burns, you will have already become the person sitting next to you and you will find it fascinating as a realist biographical sketch and call it fiction.
So definitely say stuff about revenge and eating brains. Sometimes it is the only thing that helps the pain, as for instance, when you are a zombie.
Aiming for the inane and forgivable (and yet, even now, setting down the greatest stuff (ever!) said by a living, being human in humankind’s long run, glycolytic or ketotic),
-Me

